All Hail Plankton

Squidward spends the first stretch of All Hail Plankton dismissing a citywide fad, then spirals into paranoia, then delivers a full-blown accusatory speech accusing Plankton of an elaborate frame job — and that’s before the town even starts chanting his rival’s name in unison.

This is easily one of the larger packs around, pulling thirty-one lines from a Spongebob movie sequence and spreading them across eight distinct roles. Squidward alone carries seventeen lines that shift from bored sarcasm about people’s questionable taste in headgear to genuine confusion about what’s happening around town, all the way to a lengthy dramatic monologue laying out Plankton’s whole scheme in detail, accusing him of framing Mr. Krabs to steal a secret formula. Plankton himself gets five lines of gloating villain energy, from a smug sales pitch to an evil laugh once his plan appears to be working, right up through a command to have his slaves seize an intruder.

• Squidward — the accusatory monologue and reactive one-liners
• Plankton — smug villain dialogue building toward a big reveal
• Karen and the background fish — the recurring crowd chant

A handful of background fish, a baby, Karen the computer, and a female fish round out the rest of the roster, several of them sharing the exact same chanted line as a running crowd reaction that repeats at the same moment in the scene from different characters. Because the roster splits into clear number ranges by character rather than one continuous back-and-forth, it plays like a genuine multi-perspective scene — you’re really assembling a small ensemble cast rather than trading lines with just one other person across the whole recording.

That makes it a strong pick for a larger group looking to fill out several roles at once, though it’s dense enough that solo players should expect a noticeably longer session than most other packs offer. Credited in part to creator BlackYear, All Hail Plankton rewards players who enjoy big tonal swings — deadpan disbelief, theatrical villainy, and crowd-level chanting energy all packed into one loaded, ambitious pack.

Given the sheer number of roles on offer, this is one of the better packs around for a larger recording group specifically, since even smaller parts like the baby fish or the individual crowd members give newer or shyer participants an easy way to join in without carrying a heavy chunk of dialogue. It’s also a genuinely satisfying pack to revisit in pieces rather than all at once — running just Squidward’s monologue on its own is a solid mini-session by itself, while saving the crowd chant and Plankton’s villain turn for a separate pass keeps the whole thing from feeling like a marathon every single time.